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20, England.
Coffee, pen and paper.
Illustration undergrad.
There's just something I want to write here but I just can't put my finger on it.

asylum-art:

The Things Girls Should Only Ever Learn After They’ve Grown Up

Kids will believe in anything, and maybe that’s for the best.

From dandelions that grant wishes to chicken soup that cures all ills, they fall for it all hook, line and sinker. But, as 20-something filmmaker Emily Diana Ruth suggests in her new video, "What A Young Girl Should Not Know," it’s only when we as women grow older and look back that we realize just how lucky we were.

Many women will identify with the lessons in the video. Some are presented touch of whimsy.

(via asylum-art)

theartassignment:

the-hole-in-the-world:

My second crack at the Art Assignment is a piece of crochet for the recent assignment #11: Under the Influence.

I’m not much of a painter so I decided (after finally finding my crochet hooks having moved house earlier this month) to take my inspiration from the colours used as well as the image itself rather than from the materials used.

The painting is San Giorgio Maggiore by Claude Monet, and it’s quite possibly my favorite piece of art at the Welsh National Museum in Cardiff so upon receiving the new assignment I decided to put some odds and ends of yarn I already had (hence the introduction of a bit more green than Monet used) together and made something small that in some small way resembles the original.

It was really nice to just sit and crochet again as I haven’t done so in a while, the addition of chocolate, friends and Buffy the Vampire Slayer to keep me company also made the process that bit more enjoyable too.

Love the translation to a different medium.

(via fishingboatproceeds)

cross-connect:

Selected works by GIFRIENDS

"GIFRIENDS is a photography and net art collective. Consisting of four friends: AlexMarisaPeter andMichael, GIFRIENDS love to make pictures both moving and still. GIFRIENDS is interested in the Internet and its magic. GIFRIENDS also loves people and the mundane.” (text from the GIFRIENDS portfolio)

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cityofgents:

Gallery

Robert Doisneau (1912-1994)

(via zen-paradox)

Miroir Noir: Propter Nuptias

Miroir Noir is a four-handed, pictorial collaboration project between Miloš Kopták (Žilina, Slovakia, 1969) and Rai Escalé (Barcelona, Spain, 1964). This project started in August 2007 as an attempt to update -and pulvertize- the darkest of Spanish and Slovakian traditions together with their national icons: Goya, Velázques, Saura, the Golem, Kafka, Báthory, Vachal, Franco, Stalin…  

(Source: asylum-art, via asylum-art)

Valles “Heads” Series Dissects the Intricacies of Our Facial Expressions

Valentin Leonida (Valle) is a Bucharest-born 3D modeler and illustrator whose characters haunt imaginations. In his most recent series, “Heads,” Valle created five images revealing the interior of the human face as it makes emotional expressions. Titled  “Rhinocerus” (after Dürer),  “Melancholia”,  “Restless”, “Concentration”,  and “Serpent Mind,” the drawings and their evocative labels prompt curiosity. One wonders if the furrowed tension in “Concentration” is revealed on one’s own face, or if the emotional state is only made visible when Valle’s golden medical contraption pulls back the skin like a veil.

(Source: asylum-art, via asylum-art)

asylum-art:

Artist Seung-Hwan Oh and his paintings
artist on tumblr

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.

The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.

via Emmanuel Chaussade (que je salue et remercie)

(via asylum-art)

asylum-art:

asylum-art:

 Sophie Kahn Sculptures

Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.

I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.

The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

(via asylum-art)

mymodernmet:

French artist Mademoiselle Maurice created this gorgeous map of the world with rainbow-colored drips of water. This piece, along with other artworks, will be on display at the artist’s solo exhibition Colors are the New Black until mid-July at the Backside Gallery in Marseille, France.

(via elegantscribble)

Artist Chris McMahon buys other people’s landscape paintings at thrift stores and puts monsters in them.

(Source: tastefullyoffensive)